by Christopher R. Teeple | Jun 14, 2021 | Film Making
Write a CRITICAL ESSAY: “Janet Harbord argues that ‘cinema is not what it used to be’. Discuss this statement in relation to film distribution and exhibition.” When writing the paper, please include some information from the...
by Christopher R. Teeple | Jun 10, 2021 | Film Making
Watch one of the fifteen “Story of Film” episodes on Kanopy and write an 800-word summary of the narrative arc and themes. This is not a movie review, nor is it a work of analysis. It is a distillation of the video...
by Christopher R. Teeple | Jun 10, 2021 | Film Making
If you choose Get Out, please describe ONE scene or sequence from the film: remember the dialog the camera shot-length and angles, the editing/pacing, and the musical score or sound effects. How does your scene describe to the viewer who is white...
by Christopher R. Teeple | Jun 9, 2021 | Film Making
1.Discuss Akira Kurosawa, Toshiro Mifune, and Kenji Mizoguchi, the key filmmakers associated with 1950s Japanese cinema. Why are they important? What important films are they known for and what are noteworthy characteristics of...
by Christopher R. Teeple | Jun 9, 2021 | Film Making
Original film programme, with rationale and screening notes. Your submitted portfolio should consist of: – Critical discussion of the chosen theme, drawing, if appropriate, on the historical and theoretical context. Your audience is academic....
by Christopher R. Teeple | May 22, 2021 | Film Making
Length: 500-600 words (Works Cited not included). Line spacing: Double-spaced. Font: Times New Roman. Margins: 1-inch. MLA formatting: Follow the example provided in this tutorial to format your document. In-Text Citations and a Works Cited page:...
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