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https://drive.google.com/file/d/18dRlUrNcwBAZqoG6UEVJoLregozChH1A/view?usp=drive

May 21, 2024

https://drive.google.com/file/d/18dRlUrNcwBAZqoG6UEVJoLregozChH1A/view?usp=drivesdk      This article needs to watch video materials to complete. The following information is an introduction to the video .Thank you                  
Write a 2-4 page paper.
Choose 3 dance pieces.
Include a review and description of what you see.
Use writing guideline from the “Dance Concert Report Guidelines” in Writing Guidelines folder in Files
In upper left corner write your name, instructor’s name, class with section number, and date:
Name:
Instructors: Sri Susilowati
Dance 2, Section ####
Date: __/__/___
Use correct tense when writing about something you have already seen.
Use spell check and proof read your work.
Times New Roman 12 font, double space, 1” margin, aligned left.
In upper left corner write your name, instructor’s name, class with section number, and date:
Name:
Instructors: Sri Susilowati
Dance 2, Section ####
Date: __/__/___
• All papers must be minimum 2 pages, maximum 4 pages.
• Use spell check and proof read your work.
• Use correct tense when writing about something you have already seen.
• Indent each paragraph.
• Times New Roman 12 font, double space, 1” margin, aligned left.
• This must be turned in by the deadline on the course syllabus; no late papers will be accepted.
_____________________________________________________________________________
Below are the details and examples. Please make sure you use your own wording not just copying and pasting the
example.
Intro/Opening Paragraph:
Performance Information: title of work, company, choreographer, and dancers (when appropriate), the date you
saw the performance and the name of the theater (if applicable) plus a brief overview.
Ø Briefly describe who, what, where, and when.
Example for video or virtual performance:
I watched Global Motion performance that was streamed online on November 30, 2020. There were six dance
works presented, each about different feelings and unrelated to each other. These six pieces were Philippines
dance “Remember” choreographed by Toni Pasion, Tahitian dance “E Revi” choreographed by Keali’i
Ceballos, … and so on”
Paragraph 2-4:
Discuss 3 pieces in depth. Briefly state why you liked it or disliked it. Make sure to give specific examples to
validate your opinion of why you felt that way.
Ø Context: provides history when needed, to help the reader understand the value of the work.
Ø Descriptive language: describe what you saw- themes, content.
Ø Personal Perspective: how you as the reviewer responded to the video, and supporting examples to WHY you
had the reaction.
Ø Apply any applicable information and/or theories from this course: you may recognize a style or genre of
movement that we studied and choose to reference it when appropriate. For example: the theories on gender,
sexuality, other social issues.
Paragraph 5:
Conclusion: briefly state what you learned from this experience in the humanities. Was this what you had
expected and why? Was this a show you would recommend to others and why?
_____________________________________________________________________________
Notes on using Chat GPT:
• Please use Chat GPT with discretion and only use it to help with grammatical errors, typos and punctuation.
• Don’t use Chat GPT to write your paper. ChatGPT technically doesn’t come up with an original idea but
rather puts together a collection of information from the internet, including websites, books, news articles,
and more. Therefore, if you use ChatGPT to write your paper, Turnitin will see that as plagiarism.
• Turnitin is installed for plagiarism review.
• Paper with a plagiarism score of 10% or more will not be accepted. Note on Work Cited:
If you cite information from any sources, please put the citation in your paper and then write source of your
citation at the bottom of your paper. This includes citing information from the show’s program book, such as:
the name of dancers, choreographers, musicians, etc. For example:
Work Cited:
Jane C. Desmond. “Embodying Difference: Issues in Dance and Cultural Studies.” Cultural Critique
Journal, No. 26 (Winter, 1993-1994). University of Minnesota Press. 1993.
Global Motion. Program Book, Fall 2019.
www.smc.edu/academics/academic-departments/dance/performances.php

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