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Please select and answer one of the following questions in the form of an essay including a short introduction, a thesis and a conclusion.
Total length: ca. 1000 words, plus 5 to 10 screenshots to illustrate your arguments.
Question 1:
In his interview given for the Tate Museum, London, the artist and filmmaker Harun Farocki formulates a hypothesis regarding the new logic of the image we are facing today [https://www.youtube.com/watch?v=tERIscWmpSo&ab_channel=Tate]. He states that “the era of reproduction” which marked the cinematographic and photographic image in the 20th century comes to its end, while a “new era of construction” comes to replace it. In his film and video installation Eye/Machine Farocki investigates the so called “operational images” using the formats of a split-screen and expanded cinema. Discuss Farocki’s hypothesis by drawing on Dziga Vertov’s silent film Man With a Movie Camera. How does Farocki continue and re-invent the early Kino-Eye and montage practice put forward by the Soviet filmmaker?