For this assignment you can write as basic English essay format.
This is a Research-Based Exhibition Project. There is an example you can see in files.
The title of the exhibition is The Enigmatic World of Ghost.
This project is a superstition related to spirits or ghost stories. Collection of works of art in each country related to the existence of ghosts.
It could be a sculpture, a painting, or an object related to a ghost. For exhibitions, I would like to attract people who believe in ghosts and some people who are interested in ghost stories and want to find answers that they really exist.
This is a statement
The title of the exhibition is The Enigmatic World of Ghost. I chose to entitle the exhibition The Enigmatic World of Ghost because the images I chose display the works of art from some countries with wonderful tales related to ghosts and paranormal stuff. The chosen theme of this exhibition is the tales behind the artwork. I chose many artists from different countries, Maruyama ÅŒkyo, Tsukioka Yoshitoshi, Henry Fuseli, William Blake, Katsushika Hokusai. There are many ghost exhibitions nowadays. I hope that the audience will enjoy this kind of art even though they don’t believe in it.
This is a list of the countries that I mentioned above:United States, Japan, Thailand, China, Greece, Rome. There are 14 pieces to show in the exhibition. There are 8 pieces below and you need to find 4 more pieces that have the same theme.
The work that shows at the exhibition
-The Ghost of Oyuki
Artist: Maruyama Ōkyo
Created: 1750
-The Lantern Ghost, Iwa
Artist: Hokusai
Period: Ukiyo-e
Created: 1826–1837
-Ghost of Yûgao
Artist: Tsukioka Yoshitoshi
Created: 1886
-The Nightmare
Painting by Henry Fuseli
Artist: Henry Fuseli
Location: Detroit Institute of Arts
Periods: Romanticism, Sturm und Drang
Created: 1781
Medium: Oil paint
Dimensions: 3′ 4″ x 4′ 2″
-The Ghost of a Flea
Painting by William Blake
Artist: William Blake
Period: Symbolism
Medium: Tempera
Created: 1819–1820
-The Wall Street Journal
May 21, 2021
“Artists Inspired by Ghosts and Magic”
Peter Saenger
-Jar (pelike) with Odysseus and Elpenor in the Underworld
the Lykaon Painter
Greek
Classical Period
about 440 B.C.
Place of Manufacture: Greece, Attica, Athens
-Cave art in Tham Phi Hua, otherwise known as the ‘big-headed ghost cave’.
PHOTOGRAPH BY ALAMY
Here are some sources for the information if you find it helpful used it as a source for this research paper. Don’t use the sources from google.
Research-Based Exhibition Project (4 or more scholarly sources)
Japanese Legends and Folklore: Samurai Tales, Ghost Stories, Legends, Fairy Tales, Myths, and Historical Accounts by A. B. Mitford, and: Japanese Folktales: Classic Stories from Japan’s Enchanted Past by Yei Theodora Ozaki
https://www.proquest.com/docview/2811701623?pq-origsite=summon&sourcetype=Scholarly%20Journals
At Morikami, who you gonna call? Supernatural beings haunt the museum’s new art exhibit
https://www.proquest.com/docview/1015271086/fulltext/8607F9D2EC5A4675PQThere are many ghost exhibitions nowadays. I hope that the audience will enjoy this kind of art even though they don’t believe in it.
/1?accountid=9969&sourcetype=Newspapers
ART; Commemoration of hope; Films and artwork keep last year’s tsunami disaster from fading — a symbol to survivors that they aren’t alone.: [HOME EDITION]
https://www.proquest.com/docview/422031578?parentSessionId=qJBr6N2vrlDVKvYkhkt%2BPd%2FF90ULdQFl0qKCpHIEKTU%3D&pq-origsite=summon&accountid=9969&sourcetype=Newspapers
The Uncanny Child in Transnational Cinema Ghosts of Futurity at the Turn of the Twenty-first Century
https://ccp.alma.exlibrisgroup.com/discovery/openurl?institution=01CCOPL_INST&rfr_id=info:sid%2Fsummon&rft_dat=ie%3D5169102670004236,language%3DEN&svc_dat=CTO&u.ignore_date_coverage=true&vid=01CCOPL_INST:Services
Stranger Fiction: The Asian Ghost Tales of Rudyard Kipling and Lafcadio Hearn
https://go-gale-com.ezproxy.ccp.edu/ps/i.do?p=LCO&u=phil42304&id=GALE%7CDSZSBF867623650&v=2.1&it=r&sid=summon&aty=ip
The Ghost Exhibition
https://www.proquest.com/docview/367856299?pq-origsite=summon&sourcetype=Newspapers
Your catalog should consist of:
● A title that reflects your goals.
● A solid paragraph or two introducing the exhibition, which could serve as an introductory
wall text.
● A list of works in the exhibition divided into appropriate sections, along with interpretive
texts that you will use to guide the viewer through the exhibition. These could
accompany each image (i.e., one per object), or, fewer in number, they could illuminate
sections of your exhibition.
● A plan that shows the layout of the exhibition. This can be sketched by hand or laid out
digitally.
● A concluding section in which you explain the goals of your exhibition project, the
relationship of your exhibition to the others that we discussed this semester, the audience
you have in mind, and the reasons why your approach (structure, tone, images, and type
of information provided) is best for reaching your intended audience. Be sure to include
an explanation of how your information will be presented to your audience. Will you
simply use wall text? Will you create a cell phone or headset tour? What might this
look/sound like? You should also include a bibliography of ALL works consulted for
both your texts and ideas for display techniques.
